Within design debates, there is often the question about the “borders” between art and design and between design and crafts. Or if the production of “single pieces” can be considered as design, etc.

In areas of human activity like these, with their particularities and with obvious similarities and proximities, are these “statutory” differences really necessary?

Polemics aside, the Infracções group faces any barrier as a “social construction” which is by definition dynamic. Thus a barrier, or boundary, is not guaranteed. It may be even “slaughtered”.