The program departs from the idea of residue – the films presented deal with what stays and remains of things, with the transmission of the techniques employed in their making, but also with abandonment, the materials that stay, their importance and repercussion on the present. The program approaches the theme in various ways: it evokes the “biography of things”, the way they are made; it speaks about the preservation of gestures and objects, it focuses on what remains of production (dust, for instance), the traces, fossils, but also the direct, harmful and permanent consequences of industrial activity. It seeks also to evoke that which is a residual force of history and memory and how both resonate in urban spaces and their ruins.
19:30
DIE DONAU RAUF
by Peter Nestler with the collaboration of Zsóka Nestler
SWEDEN, 1969, 16MM, SOUND, 28 MIN
WIE MACHT MAN GLAS (HANDWERKLICH)
by Peter Nestler with the collaboration of Zsóka Nestler
SWEDEN, 1970, 16MM, SOUND, 24 MIN
POUR MÉMOIRE (LA FORGE) by Jean-Daniel Pollet
FRANCE, 1980, 35MM, SOUND, 60 MIN
22:00
FABRICATION DE L’ACIER
FRANCE, Produção Gaumont, 1910, 35MM, SILENT, 6 MIN
HANDS SCRAPING by Richard Serra
USA, 1968, 16MM, SILENT, 4 MIN
POUSSIÈRES by Georges Franju*
FRANCE, 1955, 35MM, SOUND, 22 MIN
STEELMILL / STAHLWERK by Richard Serra
USA, 1979, 16MM, SILENT, 28 MIN
WINTER SOLSTICE [SOLARIUMAGELANI] by Hollis Frampton
USA, 1974, 16MM, SILENT, 33 MIN
19:30
LANDSCAPE FOR FIRE by Anthony McCall
UNITED KINGDOM, 1972, 16MM (VIDEO), SOUND, 7 MIN
LES MAINS NÉGATIVES by Marguerite Duras
FRANCE, 1979, 35MM, SOUND, 16 MIN
LOS PASCOLEROS – TARAHUMARAS 85 by Raymonde Carasco, Régis Hébraud
FRANCE, 1996, 16MM, SOUND, 27 MIN
YEK ATASH by Ebrahim Golestan*
IRAN, 1961, 35MM / VÍDEO, SOUND, 24 MIN
22:00
session presented by Klaus Wyborny
RUNDOWN by Jane Crawford, Robert Fiore/ Robert Smithson
USA, 1994, 16MM (VIDEO), SOUND, 12 MIN
STUDIEN ZUM UNTERGANG DES ABENDLANDS
by
Klaus Wyborny
GERMANY, 2010, DIGI BETA, SOUND, 80 MIN
22:00
session presented by Hartmut Bitomsky
COREOPSIS by Pat O’Neill
USA, 1998, 35MM, SILENT, 6 MIN
STAUB by Hartmut Bitomsky
GERMANY, 2008, 35MM, SOUND, 90 MIN
19:30
WASSER UND WOGEN - EIN QUERSCHNITTSFILM
by Albrecht Vicktor Blum
GERMANY, 1929, 35MM, SILENT, 11 MIN
AT SEA by Peter Hutton
USA, 2004-2007, 16MM, SILENT, 60 MIN
22:00
IN QUEST OF MEAT JOY by Carole Schneemann
USA, 1968-1969, 16MM, SOUND, 17 MIN
FRESH KILL by Gordon Matta-Clark
USA, 1972, 16MM, SOUND, 12 MIN
THE QUEEN OF SHEBA MEETS THE ATOM MAN by Ron Rice
with Taylor Mead, Winifred Bryan, Jack Smith, Jonas Mekas, Judith Malina, Julien Beck
USA, 1964, 16MM, SOUND, 70 MIN
22:00
REVERBERATION by Ernie Gehr
USA, 1986, 16MM, SOUND, 22 MIN
SIGNAL – GERMANY ON THE AIR by Ernie Gehr
USA, 1985, 16MM, SOUND, 35 MIN
22:00
SHIRANUI KAI by Tsuchimoto Noriaki
JAPAN, 1975, 16MM, SOUND, 153 MIN
22:00
UIT HET RIJK DER KRISTALLEN by J.C. Mol
NETHERLANDS, 1928, 35MM, SILENT, 12 MIN
CORNOUAILLES by Pierre Perrault
CANADA, 1994, 35MM (VIDEO), SOUND, 52 MIN
22:00
CONTRE-COURANT by Jean-Daniel Pollet
FRANCE, 1991, VÍDEO, SOUND, 10 MIN
MEMO MORI by Emily Richardson
UNITED KINGDOM, 2009, VÍDEO, SOUND, 23 MIN
LONDON by Patrick Keiller
UNITED KINGDOM, 1994, 35MM, SOUND, 85 MIN
Programme by Ricardo Matos Cabo/ Co-Production EXD'11, Cinemateca Portuguesa – Museu do Cinema/
Photo (detail): © Peter Nestler
Programme subject to change
* Pending confirmation
